Mark Ronson performs at Evening Membership 101 in New York Metropolis on Sept. 19, 2025.
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Theo Wargo/Getty Pictures
Grammy and Oscar-winning music producer Mark Ronson says nothing compares to the frenzy he feels when he places on a tune that transforms the room. Ronson was 10 years outdated, and celebrating the marriage of his mom and his stepfather, when he first felt it.
It was a small marriage ceremony, within the backyard of a summer time rental, and the music had stalled. Ronson’s new stepfather, Foreigner guitarist Mick Jones instructed that Ronson — a self-described “child obsessive about music” — discover a tune to placed on. He selected Eric Clapton‘s “Fantastic Tonight.”
“And I bear in mind standing inside the home wanting by the window as my stepdad pulls my mother in for a gradual dance,” Ronson says. “And I simply stood there watching the scene, barely drunk off this sense of like, ‘Oh my God, that is my music enjoying on the market.’ But additionally it was … like the primary time in my life I genuinely have a reminiscence of getting finished one thing proper.”
Ronson spent his teenage years craving to be a musician. He performed guitar in a band, however he turned annoyed by what he describes as an absence of technical means. “Everybody [was] form of capturing previous me. And I began to have this realization … if I need to be in music, I may need to search out my very own lane,” he says.
When he was 18, Ronson started DJing within the golf equipment of New York Metropolis. Within the new memoir, Evening Individuals: The way to Be a DJ in ’90s New York Metropolis, Ronson displays on the Nineties membership scene and his journey to turning into a music producer. He is gone on to work with a number of the greatest names in pop, together with Amy Winehouse, Bruno Mars, Woman Gaga and extra.
Within the a long time since he began, music has been digitized and DJs not must haul round crates of albums for every gig. However Ronson stays nostalgic for the outdated sound; not too long ago he started spinning information in a number of golf equipment in Brooklyn and Manhattan.
“It actually has been this joyous restart of my love for DJing,” he says. However, he provides, “Carrying these information round is insane. … I was … dialing the vendor on the best way out of the membership, and now I am making an appointment with my acupuncturist on-line as I am leaving the membership as a result of my again is simply so jacked.”
Interview highlights
On his early days of DJing and the problem of gaining access to uncommon information and samples
There was one man at my school, this DJ file collector … I might simply go to his room. He was a senior and I used to be a freshman and I would be sitting outdoors his dorm and ready for him to open the door so I might come and hearken to a few of these information. … I needed to spend the primary month in school proving my value and trustworthiness to him. … The entry to it was so slim and also you needed to form of befriend individuals who had the information after which show your self as a real music appreciator. In fact I find it irresistible as a result of it made all the things so sacred, nevertheless it’s ridiculous now to assume you possibly can simply go to WhoSampled and you’d discover out what the factor was and you’d instantly go to Spotify or YouTube.
On lugging crates of information to gigs
The usual that I might tackle any given night time was most likely three crates with 100 information every and perhaps, like, a large, bursting bag since you’re taking old-school disco and classics, old-school hip-hop, new-school hip-pop, R&B, reggae, slightly little bit of home music. So when you’re doing a four- or five-hour set, which is what we’re doing most nights, that is what you are bringing. … So that you had damaged a sweat earlier than you are even within the cab on the best way to the membership.
On how DJing for 25 years is tough in your physique
I solely discovered two years in the past that I’ve this loopy arthritis in my proper foot … The physician, once I went in, he was like, “Oh, I watched a YouTube video of you. I observed you form of, like, actually aggressively faucet your foot when you’re DJing.” And I had by no means considered this since you’re simply tapping to the beat. … So I named it “DJ Foot.” … I am not happy with any of this, however [I have] horrible tinnitus. My again is totally tousled from 25 years of headphones on. You’ve got acquired your neck crooked to 1 facet.
On wordplay mixes
Everytime you do a kind of mixes, we used to name them “wordplay mixes,” the place you go from [a] line in a single tune, there is a line in Snoop‘s “Gin and Juice” the place he goes “they ain’t leaving till 6 within the morning,” after which on “6 within the morning,” go proper into Nas, “Oochie Wally,” as a result of he is referenced that tune. So “they ain’t leaving till 6 within the morning” is now Nas. So you’ve got simply finished this slick on beat transition from Snoop to Nas. And naturally, it takes a half second for the mind to understand, nevertheless it’s nonetheless on beat. And also you simply get this loopy blowback, this cost from the gang all going like, “Oh!” on the identical time, you possibly can name it the scream, the mantra, no matter it’s. It is like clay or Play-Doh, like the entire crowd is that this factor that you simply’re capable of mould collectively. It is unimaginable. It is form of why I am unable to cease DJing. It is nonetheless a sense that I solely get from this one factor, it doesn’t matter what else I do in my work as a producer.
On how his household background, assets and connections opened doorways for him as as DJ
In fact, once I began off DJing, coming from this good household uptown with a stepdad who was a rock star and my mother who was identical to bigger than life. She was out within the events, out on this scene in New York, superb rock-and-roll artist mother. I used to be horribly embarrassed of all of it, nevertheless it’s most likely extra in a teenage method whenever you’re identical to, “Oh mother, like do you need to come to the membership once I’m DJing?” In the meantime, everyone thought it was the good factor that my mother got here to those hole-in-the-wall basements and golf equipment. … Sure, I did have benefits that different folks actually did not have, after all. My mother purchased me the turntables for commencement. I had a stepdad who was a musician who nurtured what I wished to do as a child. So I needed to actually take care of that and handle that actually out within the open within the e book due to course I had benefits and stuff like that. However I additionally labored my ass off, and that is form of like the 2 sides of the e book.
On listening and understanding being a significant a part of producing
I noticed I wasn’t a very powerful individual within the equation and really, and I nonetheless maintain that to this present day. Like if I am working with an artist, you realize, after all, if I’ve an thought I really feel enthusiastic about, I am gonna battle for it. However they’re the one which has to go round singing that for the subsequent two years or perhaps the remainder of their life. So it is like, OK, on the finish I’ll make that artist the ultimate say. … However to be trustworthy, like rising up in a household of 10 siblings and kind of like continuously practising diplomacy or regardless of the hell it was, I believe that my childhood made me an excellent listener and understander and that is an necessary device for a music producer.
Sam Briger and Anna Bauman produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey tailored it for the online.